荣耀六十年
影片信息
- 状态：HD
- 主演：Anna Neagle/Anton Walbrook/C. Aubrey Smith/Walter Rilla/
- 导演：Herbert Wilcox/
- 年份：1938
- 地区：英国
- 类型：剧情/
- 时长：内详
- 上映：未知
- 语言：英语
- 更新：2025-07-22 13:35
- 简介： Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
- 431
-
关注公众号观影不迷路
-
扫一扫用手机访问
2.0
网友评分
419次评分
扫一扫用手机访问
剧情简介
蘑菇影视-最新热门,电影,电视剧,免费在线看全网精选，www.moguvodw.com 第一时间更新《荣耀六十年》免费在线观看，荣耀六十年于2025-07-22在英国上映，是一部备受期待的电影佳作，影片由Anna Neagle,Anton Walbrook,C. Aubrey Smith,Walter Rilla主演。欢迎收藏蘑菇影视-最新热门,电影,电视剧,免费在线看网，获取更多热门影视资源。
Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
为你推荐
换一换-
HD中字7.0 Tuesday/ After Christmas/
-
正片全1集1.0 未知
-
正片5.0 未知
-
正片贵族小姐沦为风尘女9.0 流浪的神女/The Whore/
-
正片HD国语9.0 高清版/
-
DVD1.0 金允珍/李宗元/
-
豆瓣高分正片10.0 龙岭迷窟互动剧：最后的搬山道人/
-
正片全1集5.0 邓超/董子健/雷佳音/王圣迪/时代少年团丁程鑫/王彦霖/邓飞/张震/辛芷蕾/郭京飞/常远/
-
正片全1集6.0 Never a Thief/
-
正片全1集2.0 肖央/谭卓/乔杉/常远/张小婉/代乐乐/艾伦/王成思/范湉湉/李思博/刘大锁/冯满/小沈阳/王迅/玛瑙/
-
HD中字3.0 萨拉·亚历山德拉·马克斯/Sophie Rankin/肖恩·克罗宁/Glenn Salvage/乔恩·保罗·菲利普斯/Anthony Ofoegbu/Marc Danbury/Louis James/Ksenia Islamova/Megan Lockhurst/蒂芙妮·汉纳姆·丹尼尔斯/Hannah Baxter-Eve/Russell Shaw/安吉拉·迪克森/Justin Hayward/Mark Haldor/亚历克斯·里斯/Peter Lovstrom/
-
正片TC6.0 沈腾/尹正/黄景瑜/张本煜/魏翔/沙溢/范丞丞/孙艺洲/段奕宏/张新成/胡先煦/李治廷/白宇帆/周政杰/高华阳/刘巴特尔/何澳/贾冰/王安宇/陈永胜/冯绍峰/郝瀚/
-
HD国语7.0 杨伊墨/李璟羿/
-
正片全1集2.0 彭昱畅/张钧甯/王迅/
-
正片9.0 Anna Alfieri/Agathe Ferré/Caspian Faye/
-
正片全1集1.0 妖艳嗜血美人鱼/
-
正片1.0 绯闻风暴/Stormy Affair/
-
正片10.0 哥斯拉：怪兽之王/哥斯拉II:/王者巨兽(港)/哥吉拉II怪兽之王(台)/哥斯拉2/哥斯拉2018/Godzilla 2/
-
正片HD9.0 杰西·艾森伯格/伍迪·哈里森/戴夫·弗兰科/艾拉·菲舍尔/裴淳华/贾斯蒂斯·史密斯/多米尼克·塞萨/阿丽亚娜·格林布拉特/丽兹·卡潘/摩根·弗里曼/多米尼克·奥伯恩/塔邦·莫拉巴/塞巴斯蒂安·尤金·汉森/佩斯利·戴·埃雷拉/马克·鲁法洛/鲍比·霍兰德·汉顿/莉桑德拉·斯凯·阿里亚斯/迈娅·班顿/亨利·费舍尔/汤姆·约翰逊/
-
豆瓣高分全1集2.0 重返狼群/Return To The Wolves/
-
正片已完结1.0 刘凯/金美伶/高梓刚/
-
HD中字6.0 Red Vacance Black Wedding/
-
HD中字9.0 查德·康奈尔/戴维·卡梅伦/洛根·克里伦/Mimi Kuzyk/Tamara Gorski/Maxine Gibson Bruce/Sheila Campbell/Daryl Dorge/杰森·维什诺夫斯基/Andrea del Campo/John B. Lowe/Tyhr Trubiak/Darren Felbel/Erik Athavale/Joanne Rodriguez/
-
正片完结7.0 萨姆·沃辛顿/佐伊·索尔达娜/西格妮·韦弗/史蒂芬·朗/奥娜·卓别林/大卫·休里斯/凯特·温斯莱特/贝利·巴斯/吉奥瓦尼·瑞比西/杰梅奈·克莱门特/杰米·福雷特斯/埃迪·法可/克利夫·柯蒂斯/乔·大卫·摩尔/杰克·尚皮永/马特·杰拉德/科斯顿·约翰/菲利普·盖廖/布里坦·道尔顿/特里尼蒂·布利斯/小杜安·埃文斯/
-
TC9.0 镖人(电影版)/镖人/Blades of the Guardians: Wind Rises in the Desert/
-
HD中字5.0 禁室365天(港)/禁锢之欲(台)/365天/365日/365 Days/
-
正片全1集4.0 铁甲奇侠2/钢铁人2/铁人2/Iron Man 2/
-
DVD中字6.0 Dead Rising/
-
正片2.0 木嶋のりこ/南結衣/酒井蘭/鈴木ゆき/鎌田紘子/
-
正片全1集7.0 斯嘉丽·约翰逊/乔纳森·贝利/马赫沙拉·阿里/鲁伯特·弗兰德/曼努埃尔·加西亚-鲁尔福/艾德·斯克林/