O somma luce
影片信息
- 状态：HD
- 主演：Giorgio Passerone/
- 导演：让-马里·斯特劳布/
- 年份：2010
- 地区：法国
- 类型：剧情/
- 时长：内详
- 上映：未知
- 语言：其它
- 更新：2025-07-22 16:07
- 简介： 转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub “The end of paradise on earth.”—Jean-Marie Straub The 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne. “O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty. In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD. So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone. During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema. The mise en scène of what words exactly? The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye. Is “Straubie” Greece? This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich
- 29
-
关注公众号观影不迷路
-
扫一扫用手机访问
1.0
网友评分
297次评分
扫一扫用手机访问
剧情简介
蘑菇影视-最新热门,电影,电视剧,免费在线看全网精选，www.moguvodw.com 第一时间更新《O somma luce》免费在线观看，O somma luce于2025-07-22在法国上映，是一部备受期待的电影佳作，影片由Giorgio Passerone主演。欢迎收藏蘑菇影视-最新热门,电影,电视剧,免费在线看网，获取更多热门影视资源。
转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub “The end of paradise on earth.”—Jean-Marie Straub The 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne. “O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty. In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD. So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone. During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema. The mise en scène of what words exactly? The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye. Is “Straubie” Greece? This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich
转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub “The end of paradise on earth.”—Jean-Marie Straub The 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne. “O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty. In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD. So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone. During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema. The mise en scène of what words exactly? The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye. Is “Straubie” Greece? This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich
为你推荐
换一换-
HD中字7.0 Tuesday/ After Christmas/
-
正片全1集1.0 未知
-
正片贵族小姐沦为风尘女9.0 流浪的神女/The Whore/
-
正片HD国语9.0 高清版/
-
正片5.0 未知
-
豆瓣高分正片10.0 龙岭迷窟互动剧：最后的搬山道人/
-
正片全1集5.0 邓超/董子健/雷佳音/王圣迪/时代少年团丁程鑫/王彦霖/邓飞/张震/辛芷蕾/郭京飞/常远/
-
正片全1集6.0 Never a Thief/
-
HD国语7.0 杨伊墨/李璟羿/
-
HD中字3.0 萨拉·亚历山德拉·马克斯/Sophie Rankin/肖恩·克罗宁/Glenn Salvage/乔恩·保罗·菲利普斯/Anthony Ofoegbu/Marc Danbury/Louis James/Ksenia Islamova/Megan Lockhurst/蒂芙妮·汉纳姆·丹尼尔斯/Hannah Baxter-Eve/Russell Shaw/安吉拉·迪克森/Justin Hayward/Mark Haldor/亚历克斯·里斯/Peter Lovstrom/
-
正片全1集1.0 妖艳嗜血美人鱼/
-
正片10.0 哥斯拉：怪兽之王/哥斯拉II:/王者巨兽(港)/哥吉拉II怪兽之王(台)/哥斯拉2/哥斯拉2018/Godzilla 2/
-
正片TC2.0 肖央/谭卓/乔杉/常远/张小婉/代乐乐/艾伦/王成思/范湉湉/李思博/刘大锁/冯满/小沈阳/王迅/玛瑙/
-
DVD1.0 金允珍/李宗元/
-
正片9.0 Anna Alfieri/Agathe Ferré/Caspian Faye/
-
正片1.0 绯闻风暴/Stormy Affair/
-
HD中字9.0 查德·康奈尔/戴维·卡梅伦/洛根·克里伦/Mimi Kuzyk/Tamara Gorski/Maxine Gibson Bruce/Sheila Campbell/Daryl Dorge/杰森·维什诺夫斯基/Andrea del Campo/John B. Lowe/Tyhr Trubiak/Darren Felbel/Erik Athavale/Joanne Rodriguez/
-
正片HD9.0 杰西·艾森伯格/伍迪·哈里森/戴夫·弗兰科/艾拉·菲舍尔/裴淳华/贾斯蒂斯·史密斯/多米尼克·塞萨/阿丽亚娜·格林布拉特/丽兹·卡潘/摩根·弗里曼/多米尼克·奥伯恩/塔邦·莫拉巴/塞巴斯蒂安·尤金·汉森/佩斯利·戴·埃雷拉/马克·鲁法洛/鲍比·霍兰德·汉顿/莉桑德拉·斯凯·阿里亚斯/迈娅·班顿/亨利·费舍尔/汤姆·约翰逊/
-
正片完结7.0 萨姆·沃辛顿/佐伊·索尔达娜/西格妮·韦弗/史蒂芬·朗/奥娜·卓别林/大卫·休里斯/凯特·温斯莱特/贝利·巴斯/吉奥瓦尼·瑞比西/杰梅奈·克莱门特/杰米·福雷特斯/埃迪·法可/克利夫·柯蒂斯/乔·大卫·摩尔/杰克·尚皮永/马特·杰拉德/科斯顿·约翰/菲利普·盖廖/布里坦·道尔顿/特里尼蒂·布利斯/小杜安·埃文斯/
-
正片全1集4.0 铁甲奇侠2/钢铁人2/铁人2/Iron Man 2/
-
HD中字6.0 Red Vacance Black Wedding/
-
HD中字5.0 禁室365天(港)/禁锢之欲(台)/365天/365日/365 Days/
-
豆瓣高分全1集2.0 重返狼群/Return To The Wolves/
-
DVD中字6.0 Dead Rising/
-
豆瓣高分更新至13集10.0 竞赛/奔跑吧/人生/美国飞人/Race/
-
正片全1集10.0 周思羽/周云鹏/彭禺厶/徐励/侯佳音/刘頔/李梦瑶/梁颂晴/段秋钰/朱宏嘉/曹卫宇/马国伟/杨奇鸣/逯长恩/苗博/郑好/张宏威/
-
正片全1集10.0 未知
-
正片2.0 木嶋のりこ/南結衣/酒井蘭/鈴木ゆき/鎌田紘子/
-
正片1.0 张国强/吴雪雯/梁婉静/
-
HD9.0 克劳迪亚·杰里尼/菲利波·尼格鲁/卡罗利娜·克雷申蒂尼/安布拉·安乔利尼/尤丽狄茜·艾克斯顿/克劳迪亚·潘多尔菲/雷纳托·斯卡帕/伊格纳齐奥·欧力瓦/